The Teddyboy emerged in the 1950s as Britain was coming to the end of post-war austerity and represented the first face of British youth culture. The consumer boom of the 1950s America did not reach Britain until the 1960s but nevertheless working class teenagers could for the first time afford good clothes, a bicycle or motorcycle and entertainment. The clothing that the Teddyboys wore was designed to shock their parents' generation. It consisted of an Edwardian style drape jacket, much too 'camp' for a working class man, suede Gibson shoes with thick crepe soles, narrow 'drainpipe' trousers, a smart shirt and a loud tie - usually of the 'Slim Jim' or bootlace type. The trademark drape jacket was not as impractical as it seems. Not only did it act as a badge of recognition but, as it was made of woollen cloth with lots of pockets, its kept it's owner warm as he hung around in the street and was also good at concealing weapons and alcohol. The Teddygirls adopted American fashions such as toreador pants and circle skirts, although they tended to wear low cut tops to make themselves look less prissy. Girls wore ponytails and the boys tried a number of experimental hairstyles, the most favourite being the overblown quiff with a DA (ducks arse) at the back.
The Teds fully embraced the American Rock and Roll music that hit Britain and the British bands that adopted the same style. The Teds were, however, shadowy figures at the dancehalls, lurking around the bars, bopping around and drinking. They formed gangs who sometimes had a common uniform like a particular colour of jacket or socks. For the most part, violence and vandalism was not too serious by modern standards, and exaggerated by the media, but there were instances of serious gang warfare with razors and knives. Some Teddyboys had fascist tendencies and were involved with gangs of youths that attacked the West Indians that emigrated to Britain in the mid Fifties. This racism was the most unfortunate of the Teddyboy's tendencies and it closed off much American Rock and Roll to them. This was their loss as a lot of white covers of Afro-American songs were very poor by comparison with the originals.
Teenage Fashion Idols
American influence on European teenagers was huge. Rock and Roll idols including Elvis Presley, Bill Hayley, Jerry Lee Lewis and film stars James Dean and Marlon Brando set fashions almost unwittingly. The main looks for teenagers were greasers and preppies.
Greasers followed the standard black leather and denim jeans look set by Marlon Brando in "The Wild One" (1953) and later emulated in the 1978 film called "Grease". They raced about town on motorbikes and were consider outrageous.
Preppie qualities were neatness, tidiness and grooming. Teen girls wore full dirndl or circular skirts with large appliqués on their clothing. Neat pleated skirts were also popular. The pleated skirts were made from a then new fabric called TERYLENE (polyester) which helped maintain razor sharp sunray pleating.
The skirts were supported by bouffant paper nylon or net petticoats. On top, teens wore scoop neck blouses, back to front cardigans, tight polo necks or three quarter sleeve white fitting shirts often with a scarf knotted cowboy fashion at the side neck. These teen clothing fashions that originated in America, filtered to Britain in watered down fashion.
Traditionally Teddy Boys or Neo-Edwardians sported the "Drape" a long knee length, single breasted wool jacket with narrow contrasting lapels and cuffs either of velvet or satin and plenty of pockets. They wore contrast or matching narrow drainpipe trousers, brocade waistcoats, stiff shirts and shoestring ties or bootlace slim Jim ties topped off with suede shoes. Teds also wore crepe soled shoes which helped with the dance movements of jiving.
Teddy Boy clothes were not cheap to buy and when custom tailored, usually cost up to £100 for one outfit. An ordinary mass produced drape suit cost approximately £20 and shoes £3. So sporting a new suit indicated to peers how well an individual was doing money wise. At this time a Teddy Boy would have earned between £5 and £12 a week.
A site visitor has written to tell me some fifties facts - The 'Crape' sole shoes originated during the second world war and looked nothing like the Brothel Creepers seen in the 50's, George Cox the company who first made the Brothel Creeper is still in business and making the Creeper.
The boys slicked back their hair with Brilliantine into a wavy Quiff style with long sideburns and because of the way the hair was finished to the back of the head, the style was brushed back to meet in the middle with the finishing touch of a comb run down the centre back ,thus giving the look of a DA (ducks arse). The most common Hair cut was called a Tony Curtis taken from the way he wore his hair.
Lots of Teddy Boys had Bikes in the fifties, the rocker style was born from the Teds who wore Drapes at weekends but leathers on the bike, by the early 60's Rockers were a major style. A trip to the Ace Cafe in London is well worth a visit to learn about Rockers. (Thanks to Chris for input on these few paragraphs).
The fashion for Teddy Boy clothes spread across the world, even to the USSR. In the USA teen fashion fads were paralleled by youths who wore leather jackets instead of a drape, sometimes leather trousers, but often jeans, all accessorized with a shiny motorbike. The film West Side Story captures this era perfectly as does the later retrospective film Grease.
These skirt pattern images are courtesy of anothertimevintageapparel and are typical of the full skirts worn by teddy girls for rock n'roll or jiving.
The pony tailed girlfriends of Teds wore eye make up and took every fashion to excess. Their favourite outfit was a close fitted black sweater and calf length skirt, or toreador pants or circle skirts with low cut tops all perfect to display the body when dancing.
By 1956 the Teddy Boy movement was on the wane in the UK and by 1958 was fading rapidly as teenagers fixed on new fashions influenced by American pop and cinema culture and a nod to the Italians.
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